Best Lens For Product Photography
If you're a product photographer, having a decent camera isn't enough because if you're constantly photographing various products, you'll need good gear and a lens that can keep your shots stable. And to take great pictures, whether in the studio or outside, you need the right lens.
But many photographers wonder which one is the best lens for product photography. The good news is that there are several high-quality lenses available from various brands.
Thus, in this article, I've reviewed the ten best lens for product photography if you're new to product photography or if you're an established product photographer looking for a change in lens types.
Table of Contents
- LIST OF BEST LENS FOR PRODUCT PHOTOGRAPHY
- 10 BEST LENS FOR PRODUCT PHOTOGRAPHY REVIEW
- 1. NIKON AF-S VR MICRO-NIKKOR 105MM F/2.8G LENS
- 2. CANON EF 100MM F/2.8L LENS
- 3. SONY FE 135MM F/1.8 G PRIME LENS
- 4. OLYMPUS M.ZUIKO DIGITAL ED 100-400MM F/5.0-6.3 LENS
- 5. FUJINON XF 100-400MM F/4.5-5.6 LENS
- 6. SIGMA 150-600MM F/5-6.3 LENS
- 7. ROKINON 135MM F/2.0 TELEPHOTO LENS
- 8. TAMRON 100-400MM F/4.5-6.3 ZOOM LENS FOR CANON
- 9. SIGMA 258306 105MM F/2.8 LENS
- 10. TAMRON 100-400MM F/4.5-6.3 LENS FOR NIKON
LIST OF BEST LENS FOR PRODUCT PHOTOGRAPHY
10 BEST LENS FOR PRODUCT PHOTOGRAPHY REVIEW
1. NIKON AF-S VR MICRO-NIKKOR 105MM F/2.8G LENS
The Nikon AF-S VR Lens is a superb medium focal length macro lens that performs admirably in a variety of photographic types. This lens creates stunning macros, dazzling portraits, and more thanks to its advanced optics, f/2.8 maximum aperture, and 1:1 reproduction ratio.
When shooting handheld or in low light, vibration reduction and image stabilization eliminates camera shake for crisp images and HD videos. Plus, the Silent Wave Motor (SWM) technology ensures that auto-focus is fast, smooth, and unobtrusive, resulting in perfect images shot after shot, thereby making it the best lens for product photography.
Moreover, the 105mm fixed focal length of the lens allows for a wide range of shooting options. And the lens's 1:1 reproduction ratio allows it to catch objects at their true size, resulting in realistic macro images. And its close-ups are ideal when maintaining a safe distance for photographing flowers, insects, and small animals.
The lens also generates remarkable picture quality from average distances to eternity, resulting in amazing landscapes or portraits with a polished backdrop.
The developments in this lens make every shot truly amazing. In contrast, its big f/2.8 maximum aperture produces excellent bokeh that beautifully isolates your subject. Besides this, ghosting, glare, and chromatic aberrations are eliminated with extra-low dispersion glass and Nano Crystal Coat, resulting in superior images in any lighting.
Lastly, the SWM and VR mechanisms feature a multi-group focusing, a rear-group split configuration that saves weight and keeps the lens length constant during operation.
2. CANON EF 100MM F/2.8L LENS
The Canon EF 100mm f/2.8 Macro Lens one of the best lens for product photography that has a fantastic macro lens that is very easy to wear and use, and the build quality is good as well.
Internally, the Canon 100 Macro focuses quickly, softly, and precisely. At standard focusing distances, it focuses very quickly. It's very convenient to have a lens that doesn't stretch while focusing at 1x subject lengths.
Also, the front element does not rotate, and Full-Time Manual focusing is allowed. Plus, its focus limiter switch allows you to choose between a complete and restricted focus distance.
Moreover, this lens is sharp, and it gets even sharper when stopped down slightly, with the corners showing the most change, thus, helping the lens to bring even the tiniest information of your tiniest subjects to life. Whilst, the use of eight aperture blades aids in the development of a high-quality background blur.
Lastly, this lens is an excellent option if you want a great macro lens. Also, it has excellent optical performance, working distance, and size/weight that are in the middle of the lane.
This lens even has a great price, making it a great buy. Thus, it's 100mm focal length, combined with excellent bokeh, makes this a fantastic portrait lens.
3. SONY FE 135MM F/1.8 G PRIME LENS
The Sony FE 135mm F/1.8 G Lens is a Full Frame E-Mount Lens that has a 950g magnesium alloy body that is weather-sealed and has a Fluorine-coated front element that resists dust and moisture.
Even in poor light settings, the maximal f/1.8 aperture produces sharp and precise pictures, while the freshly reorganized twin-autofocus groups permit for a 0.7-meter minimal focus distance and an utmost magnification of 0.25x.
Also, this best lens for product photography which is part of the G Master series, can render high-resolution images around the frame and creates pleasing bokeh, which is ideal for portraits.
Plus, when shooting in bright light, a Nano AR coating is applied to the lens to reduce lens flares, surface reflections, glare, and ghosting while increasing color fidelity and contrast. And with the latest FE 135mm F1.8 GM Full Frame E-Mount Lens, Sony pushes the limits of focusing efficiency without sacrificing design or usability.
Further, its four XD linear motors speed up AF tracking for any fast-moving subject, and a control algorithm ensures low-vibration AF with the fastest control response.
Finally, the built-in aperture and focus rings provide additional customization options, while a focus range limiter switch, a focus-mode switch and two focus hold buttons, and allow you to switch between auto and manual focus easily.
4. OLYMPUS M.ZUIKO DIGITAL ED 100-400MM F/5.0-6.3 LENS
Another contender to the list of the best lens for product photography is the M.Zuiko Digital ED 100-400mm F/5.0-6.3 lens that is a brand new 4x telephoto super zoom lens for the Micro Four Thirds system from Olympus.
The dust, splash, and freezeproof Olympus 100-400mm lens has a focal length of 200-800mm in 35mm terms and features near-silent and high-speed focusing. Also, it has a maximum magnification of 0.57 xs and a near focusing distance of 1.3m across the zoom range.
Four Extra-low Dispersion lenses for color bleeding suppression, two Super High Refractive Index lenses, and two HR lenses are among the 21 components in 15 classes.
Plus, this 100-400mm lens has three stops of image stabilization built in to help fight camera shake, and the aperture is rounded thanks to 9 circular diaphragm blades.
Moreover, it also has a 1.4x Teleconverter MC-14 and the M.Zuiko Digital 2x Teleconverter MC-20 that expand the focal range to 1,120mm and 1600mm, respectively, when used with an optional teleconverter.
5. FUJINON XF 100-400MM F/4.5-5.6 LENS
Fuji's marketing for the XF 100-400mm f/4.5-5.6 lens is geared mainly toward portrait, wedding, landscape, and travel photographers. But on the flip side, this best lens for product photography is also targeted squarely at the sports and wildlife market.
Plus, the lens's twin linear motor autofocus system allows it to focus quickly on fast-moving subjects. And the 35mm focal length is equivalent to 152mm to 609mm on the lens makes it suitable for photographing distant subjects.
Moreover, because of the OIS and the lens's lightweight, it's simple to handhold and shoots in low-light situations.
The Fujifilm XF 100-400mm f/4.5-5.6 lens even has a solid build quality that Fuji photographers have come to expect from Fuji lenses. Likewise, the lens barrel is made of high-grade plastic, while the tripod collar and mounting ring are made of metal.
According to Fuji, the lens is weather-sealed to an extraordinary degree, i.e., it has 13 water and dust resistant seals at 12 stages. Besides this, its permanent metal tripod collar is 360° rotating, so that when placed on a tripod or monopodium, it is easy to switch between landscape and portrait orientation.
Lastly, a twin linearly motor autofocus system is used for this lens. Plus, the motors that change the lens elements are scarcely audible, which is a plus when photographing squeamish wildlife.
6. SIGMA 150-600MM F/5-6.3 LENS
Sigma's 150-600mm f/5-6.3 HSM for Canon EF mount is a Sports-series lens. This lens is designed to provide excellent optical performance, speed, and other personalized features, which make it the best lens for product photography, wildlife, sports activity, and other rapidly changing topics.
Besides, the Telephoto zoom is intended for Canon EF-mount full-frame cameras but can also be used for APS-C models where a focal length range is equal to 240-960mm.
The optical design includes two F low dispersion and three special low dispersion elements, which help reduce chromatic aberrations and color rings for improved clarity and color accuracy.
Also, lens elements have been applied with a Super Multi-Layer Coating to reduce lens flare and ghosting and help produce rich contrast and color-neutral imagery, even under backlit conditions.
Plus, the integrated HSM with a rear focus system realizes rapid and silent autofocus, which is further supplemented by a smoother focusing output using the optimized AF algorithm.
The OS device also minimizes the camera shake's appearance to make sharper imaging during handshake shooting.
At last, it even has dust and splash-resistant construction for use in uncommon environments with front- and rear elements for cleaning purposes.
7. ROKINON 135MM F/2.0 TELEPHOTO LENS
The Rokinon 135mm lens for Canon is a manual focus telephoto prime lens that could be utilized for portrait and other typical-structure photography.
Its maximum opening quick f/2.0 is successful in low light and allows for a low field monitoring depth. The low field imagery is also made of a circular 9-blade diaphragm with pleasant out-of-focus highlights.
The full-frame, as well as the APS-C format of DSLRs, is compatible. And when used in APS-C cameras, this lens has an equivalent focal length of 35 mm to 202.5 mm.
Moreover, its optical design includes an extra low-dispersion lens element for controlling chromatic aberration that contributes to the accurate imaging of each of its lens components. Plus, an internal focal system avoids a rotating front end, thus allowing the variable filter to be used more effectively.
Finally, a sturdy metal barrel with a large focus ring and a handheld opening ring provides tactile focus and exposure control.
8. TAMRON 100-400MM F/4.5-6.3 ZOOM LENS FOR CANON
The Canon EF-mount, 100-400mm f/4.5-6.3 from Tamron, extends a useful focal length range along with greater flexibility with a lightweight build. The zoom is intended for Canon EF-mount DSLRs full-frame; however, it can also be used with APS-C models that have an equivalent focal length of 160-640 mm.
Furthermore, its three LD elements are used to decrease chromatic aberrations and color belt significantly in the optical construction for enhanced visibility and color precision in the zoom range.
Plus, its VC image stabilization helps to reduce camera shake presence in harsh lighting environments for more efficient handheld shooting.
And lastly, its Dual Micro-Controlling Unit control system contributes to both fast and sensitive performance of autofocus and vibration compensating systems.
9. SIGMA 258306 105MM F/2.8 LENS
The Sigma Nikon F-mount, 105mm f/2.8, is a small telephoto prime lens with a 1:1 lifelong magnification and a least focusing distance of 1-inch for comprehensive implementation.
Also, this lens has been optimized for Nikon F-mount and F-format cameras but also works with DX models with an equivalent focal length of 157.5mm.
Plus, the maximum bright f/2.8 aperture is ideal for operating under the available light conditions and also provides improved control over the focus location by using low depth of field techniques.
Moreover, its two SLDs greatly minimize color fringing and chromatic aberrations for greater color transparency and color fidelity.
Lastly, the lens elements have also been applied with a Super Multi-Layer Coating to reduce lens flare and ghosting and help produce rich contrast and color-neutral imagery, even under backlit conditions. And in combination with an internal focusing concept, the Hyper Sonic Motor performs quickly and quietly as well as manually overrides the focus.
10. TAMRON 100-400MM F/4.5-6.3 LENS FOR NIKON
A highly compact and highly telephotographic zoom lens, the Tamron 100-400mm F/4.5-6.3 lens is designed to provide accurate AF precision for the quick and portable shooting of in-the-minute action.
Plus, its 3 LD glass elements are used to eliminate aberrations known to occur with a telephoto lens in an effective location. And Tamron's patented eBAND Coating helps in eliminating reflection and offers simpler and brighter photos.
Lastly, its precise AF and VC monitoring are important to ultra-telephoto lens efficiency, and this is where Tamron's high-speed double MPU control system joins. The unit features an MPU for superior signal processing, plus an independent MPU for vibration correction.
Furthermore, you can accurately shoot quick-moving individuals with stability and ease with improved AF response speed and VC, even in low light.
It's always said that your expensive camera helped you take better pictures. However, this is not the case. Since the lens is an important part of making pictures more appealing, the camera can't do all of the magic on its own. That is why I have compiled a list of the ten best lens for product photography that you should consider purchasing.
Similarly, I hope that by illustrating all of the causes, detail, and limitations of each best lens for product photography, you will be able to recognize the lens that best fits your needs.